Founded in 1985 by luthier, Paul Reed Smith who had been building guitars since the mid-1970s. Early adopters included Stanley Whitaker, Derek St. Holmes and Howard Leese. The company's big break came when Carlos Santana began playing one of his hand-built models.
SE Mark Tremonti
The Jackson bloodline began back in the late 1970s, when heavy music experienced a flamboyant and virtuosic resurgence in popularity and a small Southern California guitar repair shop became the epicenter of a new level of shred-approved excellence. Ever since then, Jackson guitars have been universally lauded as the metal guitars; the shred machines, highly-original, high-performance instruments of distinctive style and formidable substance. From metals chart-topping peaks to its darkest recesses, for discerning guitarists all over the globe, Jackson is the only way to go.
Leo Fender wanted to craft an instrument that was as functional as it was easy to use. It was a primitive-looking object that was tough as nails, its powerful name inspired by another groundbreaking invention: the television. And with its revolutionary electrified tone, it would change the way music was made—forever.
When someone asks, “Why Fender electrics?” the answer is clear. Fender guitars were designed to be louder, and exciting tones they produced are still ingrained into our cultural DNA.
The name Epiphone evokes both history and the spirit of invention. The “House of Stathopoulo” has played a central role in every great musical era from the mandolin craze of the early 1900s to jazz age guitars of the 1920s; from swing era archtops through post-war pop, jazz, r&b, and early rock n' roll; and from the "British Invasion" to heavy metal, punk, grunge, and thrash.